Soraya Roberts | Longreads | May 2020 | 10 minutes (2,564 words) Lynn Shelton was the kind of artist no one asked for, but the only one you really wanted. The kind of person who was so good — so empathetic, so altruistic, so honorable — her work couldn’t help but be good in all the same ways. But in the face of what film became — a monstrous inequitable monopoly — she played too kind, too female, too independent, too old. When Shelton died suddenly on May 15 at only 54, from a blood disorder no one knew she had, artists more famous than her surfaced one after the other to remember her flawless reputation, critic after critic to fawn over her career. It was so familiar, all those people so quick to praise in private but almost never in public, until, you know, it kind of doesn’t matter anymore. The reality was that Shelton had made eight films, directed countless television series, and still had to audition for jobs even when she knew the people giving them. The reality was tha
